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NAO Composers’ Competition
The NAO was delighted for the first time to host the NAO Composers’ Competition at the NAO UK Championship in 2009 formally organized by the North Staffs Accordion Club under the direction of Steve Hughes.
The event whilst not attracting quantity attracted good quality entries. With winners of the previous competition back in 2006, Martina Schwartz and Ian McColl both defending their respective professional and amateur titles with new compositions entitled “Rapid Eye Movement” and “Teddy’s in Town”.
One new aspect that must be an attraction to potential composers is the fact that “Belle Sourire” by Karolyn Broadhead, “The Solitary Reaper” to be renamed “Celtic Legend” by Sue Coppard both Prizewinners in the Professional Category, “Teddy’s in Town” by Ian McColl Prizewinner of the Amateur Category and “Jessica’s Jest” by Steve Hughes Prizewinner of the Ensemble Category are all being published by Charnwood Music Publishing Company.
At the event in 2009 many young accordionists commented with interest on this new
category especially given work they were undertaking in schools for examinations.
The NAO Executive have amended the rules of the Junior Category to take on board
the different level of school examinations. To this end “The Junior section will
be subdivided into age groups: 18 & Under (for those currently studying for A levels
/ higher), 16 & Under (for those currently studying for GCSE / Standards) and 12
& Under -
It is now planned to host this competition on a regular annual basis during the UK Championships event and the NAO are sure that this category of competition will develop to provide quality new repertoire for the accordion.
NAO National Composers’ Competition Rules 2010
THE COMPETITION(S)
(a) The composition must be played on an acoustic accordion with either a button or piano keyboard.
(b) Pieces can be written in any style eg. Classical, Blues or Jazz style suitable for any age group but must not be arrangements of already published material.
(c) The composer may not necessarily be a single person. A composition by a partnership or group of people is acceptable
Section 1 SOLO
(a) Professional Solo (CS1)
For a composition (unpublished) by an entrant who has won the Amateur Section (as
organised by the North Staffs Accordion Club / NAO) on two consecutive occasions,
or on 1st January 2010: (a) teaches music for a living, either on a part-
(b) Amateur Solo (CS2)
For a composition (unpublished) by an entrant who does not fall under the definition of “professional” above, irrespective of age.
(c) Junior Solo (CS3)
For a composition (unpublished) by an entrant falling under the “amateur” definition
aged 18 and under (as of the 30th April 2010) This Junior section will be subdivided
into age groups: 18 & Under (for those currently studying for A levels / higher),
16 & Under (for those currently studying for GCSE / Standards) and 12 & Under
-
Section 2 DUET / ENSEMBLE (CE)
For a composition (unpublished) written for two, three or more accordion parts.
All entries will also be graded by the NAO and the adjudicators will be asked to consider their suitability for submission (if subsequently published) to the NAO Music Committee as Test Pieces in NAO sections in future years. Solo / Duet compositions would also be submitted to the BCA for consideration in future examination syllabi.
ENTRIES
(a) Official Entry Forms must be used (available from 1st December 2009), which must
reach the NAO by the 28th February 2010, accompanied by the appropriate Fees -
(b) A recorded version, CD, DVD or Audio Cassette should accompany the Entry Form. (Candidates are encouraged to take care with the quality of the recording).
RULES
(a) All competitors must be UK citizens or residents.
(b) The composition is to be entirely original and not breach any copyright.
(c) The composition may be for single or multiple accordion, or accordion with other instrument(s) where the accordion Predominately takes the lead.
(d) Compositions submitted are to be no more than 5 minutes in duration.
(e) Competitors may enter at most TWO compositions into each section.
(f) It is strongly advised that entrants ORGANISE for their composition to be performed live at the competition which will be held on Sunday 25th April 2010 in the Metropole Hotel, Blackpool. This avoids a problem if no player is available to play the piece the submitted recording being used as a substitute.
(g) Bass stave [with chords depicted as either a) a single note plus chord symbol, or b) chord, with or without the chord symbol] must be included.
(h) Lyrics may be included but it is the music that will be judged only. Care not to exceed the 5 minute maximum time limit should be taken when numerous verses are included.
(i) It would be ideal if the Composition is submitted in Computer format however
a hand-
(j) A recording CD or DVD of the entry is to be included with the accordion part played on acoustic accordion with no electronic accompaniment (other than bass and/or Electronium in the case of a band or group). This recording is not judged as part of the competition but is required a) to confirm that the composition is playable, and b) as a guide to the adjudicator as to what is intended by the composer and c) if no player is available to play the piece at the live performance the recording may be used as a substitute.
ADJUDICATION Will be under the auspices of the NAO -
Subject to the number of entries an Elimination process may apply prior to the event.
The results will be an average of the Adjudicators marks. The Adjudicator’s report will award total points taking into consideration Technical Accuracy—Originality—Overall Content— Edit — Form—Presentation
PROTESTS connected with this category must made in writing and handed to the organiser before the end of the festival. In an event of the dispute not being resolved during the festival, a formal written protest may be sent within one month to the NAO Secretariat, who will refer the matter to the Executive Committee for arbitration. Their decision will be final.
In the event of any entry knowingly or otherwise breaching copyright it will be withdrawn after consultation with the Composer concerned.